Why is The Spectacle still actual? How can we move on?
Where are we moving?
Why can’t we use politics as a weapon?
Where are the politics?
What multitudes and layers is art producing?
Who can answer my questions?
What is this who?
Why am I an artist asking these questions?
What is the periphery I am trying to situate myself in?
Who is the I that says who?
Matthieu, am I too late to add an article in your immaterial journal about Jennifer Boyd’s The Strange-girl?
Still looking for a form in a context that is unknown
Like creating a map in an unknown territory
Where lies the immediacy?
When will I have time to explore the work of Andrea Fraser?
Why do angry women define their repressive walls?
Where do I put this?
Sven, what is your container?
How do you define your walls?
I hope you will answer, I always appreciate your attempts of answering impossibilities as if they were practical matters.
How can one be a flying demon in 2017?
How does the costume look?
Where do I put the immediacy?
Where is the alarms ringing?
Where do crowds gather without them knowing they are benefitting from being in a room together?
We have the priest, we have the master of ceremony. We have the choreographer.
Who is the author?
How would you do in 2017, Kathy Acker?
If I find an answer, I can build territories of actualities. To create forms to situate my work within.